| |
Glossary
of Greek Terms 
- agathos: good
- agon: contest,
ordeal; in comedy, it is the central scene including a debate on the
fundamental issue of the play
- aidos: regard for
others, respect, shame, sometimes personified as Aidos
- aitia: cause, responsibility
anagnorisis: recognition (an important part of Greek tragedy)
- archon: one of
nine public officials who governed at Athens; most important archons
were the King Archon and the Eponymous Archon (the latter gave his name
to the year); each held office for one year
- aretê: excellence,
goodness, the special skill or unique characteristic of each human being
- aristeia: time
when hero exhibits his aretê
- atê: a temporary
insanity, causing disastrous error, often sent by Zeus to mortals, sometimes
personified as Atê
- choregos: (pl.
choregoi) wealthy citizen of Athens who is appointed by the archon to
produce a series of plays at the City Dionysia
- daimon: at first
a vague term denoting an unspecified god or, later, a divine or semi-divine
being demos: the people, often in the political sense of the term
- diaulos: double
flute that accompanied plays
- dikaios: just,
righteous ("to dikaion" is "the just")
- dikê: justice,
the divinely appointed order of the universe, often personified as Dikê
- ekkyklema: "something
rolled out" a sort of rolling platform which often was rolled
out and turned around to reveal to the audience of the play the results
of actions which took place offstage, usually to show the bodies of
those killed offstage
- eris: strife, contention,
often personified as Eris
- eros: love, desire,
often used of strong desires which are not in the modern sense erotic,
often personified as Eros
- episode: acted
scenes in a Greek play
- Eunomia: "good
governance" having good laws, or law-abidingness, used to describe
Solon's political program in early sixth century BCE Athens
- exodos: exit of
chorus at the end of a Greek play
- geras: prize of
honor, concrete symbol of timê
- hamartia: mistake,
crime, done in ignorance, often misconstrued as a moral failing
- hybris: excessive
pride, veering towards arrogance
- kakos: bad, evil
- katharsis: purification,
a spiritual cleansing, often experienced by watching Greek tragedy
- komos: dialogue
between actor/s and chorus; grand conclusion of a Greek comedy, usually
including a song and dance routine
- kosmos: order,
proper adornment
- logos: word, story,
theory, reason
- mechanê:
crane or derrick that swings characters through the air in the production
of a Greek play; the deus ex machina (the "god from the machine"
is the appearance of a god on the mechanê who appears at the end
of a play to resolve all of the conflicts
- moira: portion,
share; hence, fate; personified as Moira from early times
- noos: mind, intelligence
- parabasis: middle
part of old comedy where the poet addresses the audience directly and
often comments on contemporary events
- parados: formal
entrance of chorus in a Greek play
- peripateia: reversal,
usually a reversal of fate or a fall in fortune (an important feature
of Greek tragedy)
- philia: friendship,
dearness
- philos: friend,
dear one
- phrên: mind,
sense
- polis: city, state,
civic community
- prologos: opening
scene or monologue that establishes the story line of a tragedy or comedy
- protagonist: the
main character of a Greek tragedy
- sophrosynê:
moderation, restraint
- stasimon: choral
songs in a Greek play; each stasimon consisted of alternating stanzas
(called stropê and antistrophê) and a concluding stanza
(called responsion / epode)
- theos: god
- technê: skill
or expertise
- telos: end point
(toward which the beginning was directed)
- timê: honor,
particularly the honor due to anyone on account of his station in life
or his virtue
- xenia: guest-host
relationship/friendship
|
|